Love Love in San Francisco Magazine (9/2015)

A hearty thank you to San Francisco Magazine for giving some love to Love Love:sanfranmag_ll

The full text:

Get lost in an oversexed San Francisco

Sung J. Woo, author of the highly lauded Everything Asian, has a new novel on a slightly different subject.  Love Love (Soft Skull Press) finds 40-year-old tennis coach Kevin Lee grappling with the discovery that not only was he adopted, but his biological parents were porn stars in ’70s San Francisco — a lot to take in for a man in the midst of a midlife crisis.

The portion of the bald head you see below my little snippet belongs to none other than Salman Rushdie!  If that wasn’t amazing enough, I’m also sharing space with Jonathan Franzen’s Purity and Billy Joel.  The entire page appears below.

sanfranmag

Second Review for Love Love, Plus POPSUGAR Sweetness

So the second review is now available online, and it’s the best of the bunch.  So good that the lovely people at Booklist gave me a starred review.

BOL

Woo’s follow-up to his debut, Everything Asian (2009), follows two adult siblings forced to confront their dissatisfaction with their lives. Judy Lee is a 38-year-old temp who has more or less given up on her dreams of being an artist, while her older brother, Kevin, has been teaching tennis at a country club since his professional tennis career came to an end. Their father is dying of renal failure, but Kevin’s plans to donate a kidney to him come to a screeching halt when he learns he is not only not a match for his father, he is not even his biological son. This discovery turns Kevin’s world upside down, sending him on a quest for his birth parents and forcing him to confront his grief over the breakup of his marriage. Judy, who blames her father for the death of her mother, won’t even consider donating a kidney. Woo’s observations about aging, loss, and disillusionment are so smart, so sharp and astute that they’ll haunt readers long after the final page has been turned. That he manages to find the beauty, humor, and even optimism in the struggle makes this glorious, at times painful, but always rewarding novel a stunning achievement. — Kristine Huntley

This title has been recommended for young adult readers:

YA/Mature Readers: Though the Lee siblings are older, their plights–one wrestling with a new love, the other searching for his birth parents–will intrigue sophisticated readers. —Kristine Huntley

[pdf]

And then to top it off (with sugar), Brenda Janowitz at POPUSGAR picked Love Love as one of the best 2015 Fall Books!  Life is great.  Thank you, universe.

popsugar

Third Review for Love Love

logo-consumerThe good folks at Publishers Weekly reviewed Love Love, and again, I’m relieved and thankful!

Woo’s poignant, engrossing follow up to 2009’s Everything Asian chronicles the lives of two adult siblings—responsible, organized Kevin Lee and his scattered younger sister, Judy—when a medical procedure surprisingly reveals that Kevin was adopted. After seeing how her father treated her dying mother, in addition to a lifetime of his withering disapproval, Judy is indifferent to the fact that her elderly dad now needs a new kidney. Kevin confronts him, then quits his job teaching tennis and goes to San Francisco on a quest to find out more about his birth parents. Both Kevin and Judy have endured recent divorces and miss their former spouses. Judy is attempting a relationship with erstwhile colleague Roger Nakamura, who seems to have a few secrets. After accepting an offer to stay in California with Claudia St. James, the eccentric mother of one of his precocious students, Kevin begins a physical relationship with her. Woo’s narrative takes serendipitous turns—he has a knack for making these twists seem organic, like things that would happen in life. Scenes recounting memories of family and lost love are also skillfully interspersed. (Sept.)

[pdf]

You may have noticed that this is the third review.  What happened to the second one?  I skipped it because it isn’t available online yet.  But it should be soon…

Haiku and Review: Inside Out, Inherent Vice, Mission Impossible: Rogue Nation

MV5BOTgxMDQwMDk0OF5BMl5BanBnXkFtZTgwNjU5OTg2NDE@._V1._SX94_SY140_Inside Out

The life of Riley
by way of Joy and Sadness.
It’s all in her head.

Without question one of the best Pixar movies, if not the best one.  The one emotion that I think we could’ve done without is Disgust, but really, that’s the tiniest of complaints.  It’s visually arresting, the story moves, and it’s one of these rare movies that may actually help people, too.  Only three animated movies have been nominated for Best Picture (Beauty and the Beast, Up, and Toy Story 3) but none have won.  Who knows what Oscar bait will come out in November and December, but at the very least, Inside Out deserves to be nominated.

MV5BMjI2ODQ2NzUwMl5BMl5BanBnXkFtZTgwNjU3NTE4MjE@._V1._SX94_SY140_Inherent Vice

Looks good, sounds right — but
how little we care about
anything, really.

Comparisons to The Big Lebowski are obvious (and The Dude is the far superior movie in all the major ways — humor, plot, acting).  After watching the film, I wondered why it didn’t jibe.  It felt like the movie thought it was funnier than it actually was (which was very little).  The only thing of note is the actress Katherine Waterston, who seemed like she was channeling circa 1995 Laura Linney.  Her facial expressions, her movement — she reminded me so much of a young Linney.

MV5BMTQ1NDI2MzU2MF5BMl5BanBnXkFtZTgwNTExNTU5NDE@._V1._SX90_SY140_Mission Impossible: Rogue Nation

She climbs in beauty
up a bruiser, then turns, falls —
a takedown done right.

I don’t think this was as good as the last one, Ghost Protocol, which had more cool gizmos and a higher hit rate for humor (mostly because Jeremy Renner brought the laughs in GP while here, he’s stuck in a suit in DC for too many stretches).  But wow, what a performance by Rebecca Ferguson.  Give her hair an old-fashioned wave, light her softly, and take some B&W shots, and she’d be a modern-day Lauren Bacall (somebody else agrees, too!).  And a big hand to her stunt double, Lucy Cork, who made all those fights look so good.  Ferguson’s character was actually more action-oriented than Cruise’s character.  How cool is that?

2015 Love Love Book Tour

booktourbanner Love Love Book Tour

(see the itinerary in Google Maps)

Tuesday, September 15 6pm
Book Passage (with Bucky Sinister)
1 Sausalito, San Francisco ferry Bldg #42
San Francisco, CA 94111

Thursday, September 17 7pm
Book Soup
8818 Sunset Blvd
W. Hollywood, CA 90069

Saturday, September 19
Cornell Club of Los Angeles
private event

Monday, September 21 7pm
Magers & Quinn
3038 Hennepin Ave South
Minneapolis, MN 55408

Thursday, September 24 7pm
The Book Cellar
4736 N. Lincoln Ave
Chicago, IL 60625

Sunday, September 27
BookCourt
The Eagle and the Wren Reading Series
163 Court St
Brooklyn, NY 11201

Wednesday, October 7
Wells College Visiting Writers Series
Wells College
Aurora, NY

Thursday, October 8 5pm
Buffalo Street Books
The Dewitt Mall
215 N Cayuga Street
Ithaca, NY 14850

[and a few more to come…]

The Suitcase, on The Margins

Coldwell-StillLifeSuitcase-sung-woo

Still Life with Suitcase, Paul Coldwell (aaww.org)

‘Our apartment, our home, became an unfamiliar space. We still slept in the same queen bed, but no longer did we speak of upgrading to the capacious king. We could now easily fit two additional people in the valley of the bedsheet between us.’

It’s Fiction Friday at AAWW’s The Margins, and I’m so very proud to have my story up there.  It’s titled “The Suitcase,” and the first decent draft of this story that was sent out to various journals was back in April 12, 2007.  That is not a misprint — this story has been waiting for a home for eight years.  I never gave up on it, rewriting it at least a dozen times.  The original version ran almost 5000 words.  The published one runs around 3500.  I guess I finally figured out how to leave out all the bad parts.

Huge thanks to Anelise Chen, the fiction editor at The Margins, who gave me such great critiques and suggested a new beginning.  Thanks also to Mary Gaitskill, who held a master class at NYU a couple of years back.  Lucky for me, this story was one of the ones she chose to workshop; I still have the manuscript she marked up in my files (tiny print in pencil!).  And finally, thanks to Michael Bahler, who edited an earlier version and helped me reshape it and make it so much better.

The Virgins, by Pamela Erens

virgins

The Virgins, by Pamela Erens

I’m on a roll here, folks.  A week ago, I finished reading Wendy Lee’s Across a Green Ocean, the first published novel I read this year.  And now here I am, merely a week later, with another notch on my belt.  I’m almost two years too late, as Pamela Erens‘s The Virgins came out August 2013, but I’ll say it again: better late than never.  (I think that might be the phrase that goes on my tombstone.)

Firstly, let me say I know Pamela personally to a very slight degree; we have friends in common so we’ve met during family-related/neighborly celebrations.  And I was at one of her book parties when The Virgins came out.  “I can’t wait to read it!” I’m fairly certain I said (lied).  I’m sorry, Pamela — I’m just really, really slow.

Have I apologized enough?  Probably not.  But it’s time to move on.  It’s time to read this book, everyone.  This very sexy book, and I’m not just throwing that word around.  This novel is seriously, incredibly sexy.  Like you’ll blush as you read it.  I know I did, several times, and I don’t blush easily.  If you are squeamish about reading about people having sex, teenagers in particular, what the hell is wrong with you?  Sorry.  I meant to write, “then this book isn’t for you.”  (But seriously, what is wrong with you?)

A side (though I feel like this post has been just one big side so far): for those people who read trashy romance novels or whatever the hell it is that E.L. James writes (from the bits I’ve glanced, I wish I hadn’t), you should give The Virgins a shot, because then you wouldn’t feel so guilty about reading terribly written novels about sex.  Pamela composes gorgeous, sustained sentences that I guarantee will get you hot under the collar.  Her sentences will also make you feel.  Sometimes they’ll make you sad.  Sometimes they’ll make you laugh.  But you will very much feel (even against your will, sometimes) the tortured, elated, breathless, dangerous lives of these students at Auburn Academy, a boarding school that made me glad my parents were poor and could not have sent me to such an institution.

The Virgins is also a very well-crafted book with wholly unexpected twists and turns, but the best kind that make terrible tragic sense when all’s said and done.  It’s a fast read, and full of literary flair.  Just the very POV that Pamela chose is kind of remarkable (neither of the leads but an insider-wannabe outsider who voyeuristically and imaginatively narrates the novel).  If you enjoy The Virgins, then I’d very much recommend her first novel, The Understory, which also features a male narrator with some serious problems, one of which is unrequited love, a theme that I now declare has emerged in the Erens oeuvre (I feel very grown up now, having used that fancypants word).  I’ve read that one, too, and like The Virgins, it is equally devastating and disturbing.

By the way, something else that was kinda-sorta disturbing — the lead male in this novel is a Korean-American kid named Seung.  That’s just one letter away from my own name!  And I’m Korean, too!  Though in this novel, his pronunciation is different (“the past tense to sing“), so no worries, totally different guy.  I’ve actually told people something similar when they ask how I say my name — “the past participle of the verb to sing.”  (I’ve since learned that some people don’t know the past participle tense, so I’ve retired this phrase…)

One last thing — James Salter is an author often mentioned in reference to The Virgins.  I presume Pamela also honors him by naming one of Auburn’s teachers Mr. Salter.  In case you haven’t heard, Salter passed away on June 19.  Here’s a beautiful obituary in Grantland by one of my favorite writers.

Pamela Erens
The Virgins

288pp
August 2013/Tin House Books

The Maribar Writers Colony on Cricket Hill

Doesn’t this look like a great place to get some writing done?

maribar

The Maribar Writers Colony on Cricket Hill

 

Here’s a bit more about it:

The Maribar Writers Colony on Cricket Hill is a tranquil retreat for writers living and working in urban areas to finish or complete substantial work on an existing project.  Located in a 18th- and 19th-Century farmhouse on Milford Haven just off the Chesapeake Bay in the rural Tidewater region of Virginia, the colony in 2015 will accommodate six writers for ten days in October.

[more]

This is a passion project of a former colleague of mine at NYU.  Check it out if you are looking for some peace and quiet to write, write, write.

Across a Green Ocean, by Wendy Lee

Across a Green Ocean, by Wendy Lee

Across a Green Ocean, by Wendy Lee

As shameful as this is to admit, Wendy Lee’s Across a Green Ocean is the first published novel I’ve read this year.  Yes, it is almost the end June.  Yes, I am supposedly a writer of fiction.  So half of the year has come and gone and I’ve read a total of ONE book!

Well, better one than none, right?  At least that’s what I’m telling myself.  And I’m so glad the one book I have read is Wendy’s.  Wendy and I are NYU MFA compatriots, though I never actually knew her while she was attending the program.  But we’ve become friends since, and I’m happy to let readers know there’s a fine novel waiting for them.

Susan Choi wrote in her blurb for Across a Green Ocean that “the past is always present, and the present is never quite what it seems,” and this is really quite the apt descriptor for this novel.  The primary power of Across a Green Ocean is derived from remembrance, as the three main characters, mother (Ling), daughter (Emily), and son (Michael), delve deeply into their past through flashbacks to come to decisions and realizations about their intertwining lives after the passing of Han, the patriarch of the family.  The novel spans both time (decades in memory) and space (USA and China), and Wendy does a marvelous job of keeping this complicated narrative machine running smoothly.  There’s a lot of moving parts here plotwise, and varying POV techniques, too, as the Michael section is written in the present tense while the Ling and Emily sections are in the more traditional past tense.

I think this was a very ingenious move by Wendy, to put Michael’s sections in the present, because he is the one who has to carry the toughest load.  He spends the bulk of the novel in a remote part of China, so we as readers have the most difficult time being in his shoes.  By employing the present tense, we feel so much closer to the action.  Everything Michael is encountering is happening now, and the immediacy is very much felt.  Bravo!

I’m not going to spend much time discussing the plot, as a quick click to Amazon will give you all you need (and will also give you the great opportunity to buy the book!).  One thing I found very funny is that Across a Green Ocean and my forthcoming novel, Love Love, share some odd plot similarities:

  • a family story starring brother and sister
  • the brother goes somewhere else to find himself
  • a letter from the past is the driving factor for this search

Weird, right?  Not quite Twilight-Zone level weirdness, but weird nonetheless.  Oh, and these are both our second novels.  Must be something in the water.

Wendy Lee
Across a Green Ocean
288pp
February 2015/Kensington