Shadows Deep, a Siobhan O’Brien Mystery

So back in 2009, my first novel was published. This was a momentous occasion for me, obviously. I’d of course hoped that one day my draft of a novel would see the light of day, but never did I assume even for a second that it was destined to happen. Writing books is hard enough, but then having a publisher buy it, publish it, market it? It’s a journey I wouldn’t wish on my worst enemy. We authors all write in a vacuum, alone with our screens and keyboards, thinking and typing and dreaming and struggling, all in an effort to share our words/worlds with the public.

In 2015, somehow I was able to repeat what still feels like an impossible feat: a second novel was published. And now, for my latest trick, I’m happy to announce that my third novel will come out next year by the Agora imprint of Polis Books.

What makes this book more special is that it is a straight “genre” novel, meaning it is not a “literary” work of fiction like my first two. I can honestly say I’m more proud of this novel because the mechanics of a mystery novel was not exactly taught to me at my MFA workshops! No, my guides for this one were the masters who came before me. Like Dick Francis.

I’ve been a fan of mystery novels for a long, long time. My first love was indeed Dick Francis, yes, the guy who wrote all those horseracing-infused mysteries. After Francis I got on the Robert B. Parker kick and read a whole mess of his fine and funny Spenser series. Then Dennis Lehane came into my life with his Kenzie and Gennaro novels and Mystic River and Shutter Island. I even love an occasional pulpy, trashy Stone Barrington novel by Stuart Woods!

To prepare for writing Shadows Deep, I carefully read and assiduously took apart A Is for Alibi, Sue Grafton’s first of her “alphabet” series. I did the same with Lehane’s Moonlight Mile (the sequel to Gone, Baby, Gone [useless trivia: the book title has commas, the movie title does not]); John D. MacDonald’s The Deep Blue Good-By; and Raymond Miller’s The Scent of Blood. In all these novels, the commonality was that spending time with their private investigators was a delight: Kinsey Millhone, Kenzie and Gennaro, Travis McGee, Nathaniel Singer. I hope readers will find my private eye, Siobhan O’Brien, a delight, too.

Anyway, here’s the announcement from the good folks at BookRiot:

In Shadows Deep, Woo tells the story of Korean adoptee Siobhan O’Brien, who has spent much of her life explaining her name and her family to strangers, but her more pressing problem is whether to carry on the PI agency that her dead boss unexpectedly left to her. As Siobhan delves deeper into locating a missing girl, she encounters vegan cooking that just might kill her, possibly deadly yoga poses, and politely dangerous billionaires. This first in a new series introduces an endearing PI heroine in the tradition of female detectives like Sue Grafton’s Kinsey Millhone, but similar in voice with gentle wit as Carl Hiaasen readers aren’t going to want to put down.

Matt Coleman/BookRiot

Did you catch that this is a “first in a new series”? It is indeed. The kind folks at Agora have given me a two-book deal. The second book already has a title: Skin Deep.

Yes, I am so lucky and blessed that it’s not even funny.

#페들러스타운의동양상점 Is a Thing

So it turns out that there has been some activity via Instagram for the past month or so for the Korean Everything Asian…

And here I thought I was the only one doing bookfies…

Some more bits from the web:

What a huge gift this book has been. Thank you, Atopos.

East Meets West

So here it is, the real thing. The cover has completely changed from the spec — I totally dig the 80s vibe!

The cover in full.

It so reminds me of my beloved old computer, the Commodore 64. I feel like I could step into the store here and play it as a game…

In a couple of days, my publisher will be at the Seoul International Book Fair with this book in tow. How cool is that? Turns out that dreams do come true, from time to time.

Ten Years Ago…

It’s hard to believe, but this marks the ten-year anniversary of my first novel’s pub date. The cover that currently shows on Amazon is the much superior paperback version. The original looked like this.

The less said about that one, the better! Anyway, according to good old Google, a typical 10th anniversary is celebrated by a diamond or a blue sapphire. I have just the thing.


What you see above is the working cover of the Korean edition of Everything Asian. Perhaps not as blue as a sapphire, but there are diamonds in there for sure. Rumor has it that it’ll appear sometime in June this year. I’ll have more to report in the coming months, but pretty cool, right? Ten years in the making, as it turns out. I’m absolutely thrilled that family back in the motherland can finally read it.

For a nostalgic look back at the book launch, check out the photo from KGB Bar!

Modern Love Podcast 102

credit: Michael Buckner/Deadline; Brian Rea/The New York Times/WBUR

Folks, this is one of the most amazing things that’s ever happened to me.  The Oscar-nominated duo behind last year’s film The Big Sick, Kumail Nanjiani and Emily V. Gordon, teamed up to perform my New York Times Modern Love essay.  It’s this week’s episode, which is doubly special because it’s Valentine’s Day!

Here’s the podcast!!!

Much thanks to the great people at WBUR (where Modern Love the Podcast is made), especially Caitlin O’Keefe who was gracious and patient as I prattled on during our interview.  Also thanks to WBGO for hosting me and providing crystal-clear communication between Newark and Boston.  Huge thanks to Dan Jones and The New York Times for publishing my essay in the first place.

Lastly, thank you to my wife Dawn and my mother, who provided the fodder for my essay. 🙂

Kelly Crigger’s The Comfort Station

I got an early look at Kelly Crigger‘s latest book, The Comfort Station, and I was not the only one who found an engaging, well-crafted novel:

The Japanese enslavement of Korean women during the occupation is seen through the keen eyes of Ki-Hwa Kim, our heroine who learns the true meaning of courage and perseverance. Packed with memorable descriptions and enticing characters, Kelly Crigger’s The Comfort Station is the kind of historical fiction that teaches as well as entertains.
-Sung J. Woo, author of Everything Asian

Good historical fiction doesn’t just bring us to another time and place to make us consider the lives and journey of the past – it brings us into the past and immerses us in those lives and journeys. Kelly Crigger’s The Comfort Station is such a book. Crigger writes with passion for, and knowledge of, World War II and Pacific bastion of Rabaul. More importantly though, he writes the characters that make up The Comfort Station with fullness and dimensionality. Not to be missed.
-Matt Gallagher, award winning author of Youngblood

A lyrical novel about a young girl taken captive and forced to serve as a comfort woman. The plot is fast paced and intriguing, but still takes the time to explore the people and places in a beautiful, poetic manner. It’s hard to know if I appreciated the quality of the prose or the excitement of the story more.
-Alana Terry, author of The Beloved Daughter

Now here’s a photo of my cat Mac with the book, since we all know how much the internet loves cats.  Looks like he’s already halfway into the book…

Slice Magazine – Issue #19, Distraction

Happy to report that the good folks at Slice Magazine will be publishing my ekphrastic endeavor later this month.  The issue is titled Distraction, and it’s got some heavy literary hitters as you can see from the cover.

My part will be small, which makes sense as the paintings I wrote about are small, too.

slice19

This is a print magazine, so if you wish to revel in the glory of paper, you can order your copy.  Once I have it in my hands, I’ll put up some pics.

Cycling Guide to Lilliput (1-10), on Juked

lilliput

 

Back in January, I encountered the works of a miniaturist painter, Dina Brodsky.  Some of you may have read an essay I wrote about her project, “Cycling Guide to Lilliput,” this past May in KoreAm Journal.  Simply put, I love her work.  And when I love something, I want to write about it.  Which is what I did, but it turns out I wasn’t done.

Thanks to the editors of Juked, you can now read ten tiny short stories based on ten of these Brodsky paintings.  This year, I’ve interviewed Dina twice to hear about her cycling journeys.  These stories of mine are based on her trips, but they are also works of pure fiction.  If that sounds like a contradiction, you’re right.  I’m not sure what is real and what is not anymore, as the tales she recounted and the tales in my head have fused together.

During the submission of these stories, an editor from another journal taught me a new word: ekphrasis.  Apparently this is what I was doing.  Wikipedia’s definition is “a graphic, often dramatic, description of a visual work of art,” but what I really love is the etymology of the word: “From the Greek verb ekphrazein, to proclaim an inanimate object by name.”

To proclaim an inanimate object.  That’s it, exactly.  That is why I have written these stories, because I wanted to make these paintings come alive in my own mind, in the best way I know how, the only way I know how.

And now it’s your turn.  See the paintings.  Read the words.  Get on your bike and take a ride.