What’s It Like to Choose Cover Art?

The good folks at Debut Lit, who will be putting on an event at the Brooklyn Bookfest Bookend series this Friday night, asked me if I had something to say about the vastly different designs between the hardcover and paperback editions of my novel.  Here’s a bit of what I wrote:

Everybody knows the saying — you can’t judge a book by its cover.  Which is true.  But at the same time, it is the first thing that people see, and you want it to be original, relevant, and eye-catching.  I didn’t think my hardcover jacket was any of those things, but I didn’t have much choice in the matter.  Unless your last name happens to end in Grisham or Patterson or King, I don’t think you have much input when it comes to your cover.

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In the short essay, I mentioned the rejected “shoe cover.”  Curious about what it looked like?  Here it is.

Not a bad cover.  I especially liked the way the designer integrated “A Novel” into the insole of the slipper.  Alas, it was not meant to be.

In any case, come on by this Friday to Brooklyn to celebrate all things books!  It’ll be a rollicking good time.

DEBUT LIT Presents “Opening Act,” a flash reading of original work by literary rock stars. Readings will be written on a theme provided by DEBUT LIT—it’s fun and it’s fast. Readers include Aryn Kyle (The God of Animals), John Murillo (Up Jump the Boogie), Sung J. Woo (Everything Asian), Brooke Berman (No Place Like Home), Matt Stewart (French Revolution), Fiona Maazel (Last Last Chance), and Daphne Beal (In the Land of No Right Angles).
Location: powerHouse Arena, 37 Main St.
Date: 7 p.m.
Price: FREE

Life Missing Matrimony Novelist, or Four Short Reviews of Four Novels

There was a time in my life when I read purely for pleasure.  Before then, I read pretty much for pain, or more accurately, I read and it caused me pain.  Like reading Thoreau’s Walden and Stephen Crane’s The Red Badge of Courage for English class – now there was torture.  But thankfully, there was Stephen King and Stephen R. Donaldson and Stephen Coonts and even some authors not named Stephen, and I was in bliss.  These were my lazy high school years.  I remember reading Misery in a single day, from nine in the morning until nine at night, and I had no other desire than to feel every word on the page.  It was pure hedonism.

A review of four books I wrote for The Nervous Breakdown.

Two Upcoming Events, Plus Paperback Cometh

In five days, the paperback edition of Everything Asian will be hitting the shelves.  Pick one up!  Tell your friends!  And if your friend is Oprah, be sure to give her a copy!

Anyway, back to reality.  Tomorrow I’ll be visiting the West Windsor Library in Princeton Junction for an event titled “Studio Scrawl: The Art of the Short-Short Story.”  I did this presentation at Pingry for their students a little while back and it went over well, so I’ll once again be singing the praises of J. Robert Lennon and his awesome short-short stories.  If you still haven’t read Pieces for the Left Hand, man, am I jealous.  I wish I could read it for the first time all over again.

Next Friday at 9pm (7/23), I’ll be at the Asian American Writers’ Workshop’s Mouth to Mouth Open Mic featuring Ali Wong and yours truly.  It’s my paperback launch, so come on out for some good literature and comedy.

6/27: APALA 30th Anniversary Gala

This past Sunday in Arlington, Virginia (which is a stone’s throw away from DC), I attended APALA‘s 30th Anniversary Gala dinner, where I received the 2010 Asian/Pacific American Award For Literature in the Youth Category.  It was a fantastic event, filled with singing, dancing, and killer, authentic Chinese food (you know it’s authentic when there’s a whole fish, from head to tail,  involved). I was asked to write a short speech, and the following is what I delivered.

There are a lot of needy people in this world, but I’m not sure if there’s anyone needier than writers.  As you probably already know, most of us do our work in a vacuum, so there’s nobody else to blame if we fail at our job (though if you ask my patient and loving wife, she may tell you differently – so do me a favor and don’t ask her).  And conversely, when things are going well, we don’t hear about that, either.  Unless we get, say, some sort of an award for some sort of a literary achievement.  This is where you come in, the Asian/Pacific American Librarians Association.  You have chosen to honor my book for your award, and I couldn’t be happier.  To have an organization like this, an organization that promotes Asian/Pacific American culture and heritage to pick my book – it means the world to me.

The APALA was established a year earlier than my arrival to the States.  Back in the winter of 1981, I was a ten-year old boy, and the only English I knew were the alphabet and counting from one to ten.  And now here I am, a novelist.  I have many people to thank for this transformation, first and foremost my two ESL teachers, Suzan Cole and Susan Jarosiewicz.  With their dedication, perseverance, and enormous stack of flash cards, they taught me the nuts and bolts of the English language.  I also need to pay tribute to Stephen King, because it was his novel The Dead Zone that made me realize the power of fiction, its ability to submerge a reader entirely into another world.  It goes without saying that I owe my family in a big way, since those weekends and summer vacations I spent at our gift shop in Manasquan, New Jersey formed the basis for my novel.  I still marvel at my parents, not only for making a life for us in a foreign country, but for their collective calm when their son called them in the second semester of his freshman year at college to inform them that he was switching out of his safe engineering major and into the uncertain jaws of English Literature.

At Cornell University, I became a writer, thanks to teachers like Stewart O’Nan and Michael Koch.  They introduced me to the works of Denis Johnson, Raymond Carver, Susan Minot, Richard Yates – the list goes on.  And at NYU’s MFA program, a fellow Korean-American writer urged me to read the works of Don Lee, whose story collection Yellow still startles me with the beauty of its language.

The greatest gift of having published a novel is that I get to partake in the current burgeoning of Asian-American literature.  For the longest time, it seemed as if Amy Tan was the only game in town, but now look at us.  From Anchee Min to Min Jin Lee to Li Young-Lee to Yiyun Li and everyone in between, I feel incredibly blessed and privileged to be a little sapling in this growing forest of our literature.  Without you, the librarians who bring our books to the public, we would have a much more difficult time reaching our readers.  You’re doing your job, which makes it that much more rewarding to do mine.  The best way for me to demonstrate my appreciation for this wonderful award is to finish the first draft of my second novel.  Which is coming, slowly but surely, one word at a time.  I don’t have a title for it yet, but once I do, you’ll all be one of the first to know.  Thank you.

And to top it off, when I returned from the event, the trade paperback edition of Everything Asian was waiting for me!  It doesn’t get any better than that.

Evidence of Good Writing: Alix Ohlin’s The Missing Person

What is good writing?  Of course this is a highly subjective topic, but sometimes it’s right there on the page.  Right now I’m reading Alix Ohlin’s The Missing Person, and here’s the evidence I’d like to present to the Court of Good Writing, on page 48 (paperback edition).  Our narrator, Lynn, is driving in her brother’s Chevy Caprice, through the deserted desert landscape of Albuquerque:

The Sandias were brown in the distance.  The houses were brown.  The highways were brown.  Everything was brown.  The car’s wheezing air-conditioning blew a stream of tepid air over my right shoulder.

The magic of this excerpt is the last sentence, the part I boldfaced.  One of the golden rules of good writing is not relying on adjectives and adverbs and opting for concrete nouns and verbs.  I believe the same can be said of sentences, that the more specific you can make it, the stronger its impact will be.  Ohlin could’ve easily written this sentence instead:

The car’s wheezing air-conditioning blew a stream of tepid air.

I hate to admit it, but this is probably how far I would’ve gone.  I mean there’s nothing wrong with that version, but wow, having the stream of air hit me on my right shoulder is so much more specific, so much realer.

This is not an isolated incident.  On page 43:

A woman’s laughter sounded loud and shrill above the din, repeating at intervals, like a ringing telephone.

That repetition, and the simile with the telephone — it gives great specificity to that sentence.  This book is chock full of moments like these.

J. Robert Lennon’s Video Game Hints, Tricks, And Cheats

All hail the e-book!  The talented J. Robert Lennon has decided to put  a collection of his material into electronic format.  From his website:

Video Game Hints, Tricks, And Cheats is a collection of random, mostly comic writing from the past dozen years, including pieces published in Harper’s, Granta, The Los Angeles Times, McSweeney’s, and elsewhere. Most of the pieces here are available on the “Read Online” section of this website, but quite a few have never been seen before.

Since I don’t have an iPad, I downloaded the old-school PDF version.  There’s quite a few gems in here, too many to name, so it’s pretty much guaranteed that you’ll laugh your head off more than a few times.  Lennon hopes that other writers will follow suit.  I’d love to, except I’ve yet to amass enough material!  Which means instead of writing this post, I really should be writing.  OK, gotta go.

Kartika and Sulu

1) The latest issue of Kartika Review features a special section called “Meditations of Home,” and you can read my own personal view on this subject.  Fine writers such as Alexander Chee, Don Lee, Min Jin Lee, Yiyun Li, and Ed Lin also participated in the project, so it’s really an issue worth reading.  You can get the journal  in PDF, or better yet, you can have Lulu crank out a paper copy.

2) Speaking of Ed, I had an absolute blast at the The Sulu Series last night!  We were there to celebrate his latest novel Snakes Can’t Run, and there was poetry and fiction and songs, too, and even a short film at the end.  I’m not used to being out in the city so late on a school night, but wow, was it ever worth it.

Matt Blesse

Cynthia Lin

Catzie Vilayphonh

Ed Lin

Ed Lin

Many more pictures here.  I read from a short story titled “Faith,” something I had completed a week ago.  I’m not entirely happy with the story as it stands, so most likely it’ll change, but for those who want to know how it ends (at least for now), you can read it here (now published here);  search for “END OF SULU READING” to find the exact spot where I stopped reading.

By the way, I should mention that I was inspired to write this story after reading Rhian Ellis‘ novel After Life; in fact, the premise is identical.  I can only dream of writing with Ellis’ prosaic precision, so there is no comparison — everyone should read her fabulous novel.

“The Sulu Series” This Sunday

As a lifelong trekkie, how can I not partake in an event called “The Sulu Series“?  I’m not exactly sure what I’ll be reading, but I’m also there to support my good friend and excellent writer Ed Lin, who’s got a new book out, Snakes Can’t Run!

Sulu Series
Sunday April 18, 8:00 pm
reading with Matt Blesse, Cynthia Lin, Catzie Vilayphonh, and Ed Lin
Bowery Poetry Club
308 Bowery (at First Street)
New York City
(212) 614-0505